WILLIAM WORDSWORTH ( 1770 – 1850)
là một nhà thơ lãng mạn nước Anh, cùng với Samuel Taylor Coleridge, đã khởi động thời kỳ lãng mạn trong văn học Anh khi xuất bản tập thơ Lyrical Ballads vào năm 1798.
Kiệt tác của Wordsworth được xem như là bước dạo đầu, một bài thơ theo thể tự sự mà tác giả đã sửa đổi và thêm thắt nhiều lần. Bài thơ được đặt tựa đề và xuất bản sau khi nhà thơ qua đời, trước khi được gọi là “bài thơ tặng Coleridge”.
I WANDERED LONELY AS A CLOUD ( Also known as “Daffodils”)
“I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed–and gazed–but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.”
(William Wordsworth)
Hoa thủy tiên ( Nguồn: Daffodils – http://www.atlantajewishtimes.com )
Phỏng dịch:
TÔI LANG THANG CÔ ĐỘC NHƯ MỘT ÁNG MÂY
Tôi đang lang thang
Một mình cô độc
Như một áng mây
Bềnh bồng lơ lững
Qua đồi qua lũng,
Khi chợt bỗng dưng
Nhìn thấy một rừng
Thuỷ tiên vàng rực;
Bên cạnh hồ nước
Dưới những tàng cây
Đong đưa nhảy muá
Trong gió nhẹ bay.
Rừng thuỷ tiên vàng
Như những vì sao
Liên tục chớp nháy
Trên giải ngân hà,
Kéo dài vô tận
Dọc theo vịnh biển:
Mười ngàn bông hoa
Trong một cái liếc
Đã thấy tôi rồi
Chúng lắc lư đầu
Nhảy muá tưng bừng
Vui tươi như hội.
Những đợt sóng biển
Khiêu vũ kế bên
Nhưng thuỷ tiên vàng
Trong niềm hân hoan
Nhảy hay hơn hẳn
Sóng biển lấp lánh:
Thi sĩ làm sao
Mà không vui chứ:
Tôi nhìn, chăm chú
Nhưng nào có ngờ
Màn trình diễn này
Vô cùng phong phú:
Bởi khi nằm xuống
Trên chiếc ghế dài
Trong cơn trống trãi
Hay lúc suy tư
Con mắt bên trong
Vẫn thường thấy lại
Những đoá hoa vàng
Sáng lên trong trí
Như là hạnh phúc
Cuả nỗi cô liêu;
Hoa thuỷ tiên vàng
Và trái tim tôi
Tràn đầy niềm vui
Lại cùng nhảy muá.
( Trang Sao – Bản dịch số 1 )
NHƯ MÂY TRÔI BƠ VƠ
Tôi lang thang như đám mây lạc lõng
Bềnh bồng trôi qua thung lũng núi đồi
Bất ngờ chưa! Kìa rừng hoa sinh động
Thủy tiên vàng hân hoan chào khách tới
Dưới tàng cây, bên mặt hồ lồng lộng,
Rung rinh cười nhảy nhót giữa gió đông
Hoa chập chùng như sao đang tỏa sáng
Nháy lấp lánh trên suốt giải ngân hà,
Trải dài theo đường chân trời bất tận
Men bờ vịnh xanh thẫm phía xa xa
Ngàn hoa tươi dưới mắt tôi trông thấy,
Lúc lắc đầu nhảy múa giữa cơn say.
Những ngọn sóng bên hồ tung bọt nhảy
Nhưng thủy tiên hơn hẳn điệu hoan ca!
Nhà thơ nào mà chẳng thấy vui lây,
Trước cảnh sóng vui đùa cùng hoa lá!
Tôi ngắm nhìn say sưa không chớp mắt,
Không sao ngờ buổi trình diễn quá hay!
Đôi khi nằm duỗi dài trên ghế dựa,
Lòng trống trải hay suy nghĩ ưu tư
Con mắt trong tôi vẫn thường thấy lại
Bóng hạnh phúc trong cô đơn chợt sáng;
Niềm vui ấy trong tim tôi trỗi dậy
Nhảy múa cùng những cánh thuỷ tiên vàng.
( Tam Nguyen )
LANG THANG LẺ LOI NHƯ ÁNG MÂY
Tôi đã lang thang lẻ loi cô độc
Như một áng mây trôi nổi bềnh bồng
Qua những núi đồi, qua nhiều thung lũng
Chợt có một ngày bắt gặp bỗng dưng:
Một trời thuỷ tiên rực vàng tươi thắm
Bên cạnh chiếc hồ, dưới những lùm cây
Những đoá thuỷ tiên trong làn gió nhẹ
Nhảy muá rập rờn đón khách qua đây
Rừng thuỷ tiên vàng trải dài vịnh biển
Một đường hoa vàng vô tận bao la
Như những vì sao không ngưng toả sáng
Chớp nháy mãi thôi trên dãi ngân hà
Mới nhìn thoáng qua, một vạn bông hoa
Đã lắc lư đầu tưng bừng điệu vũ
Sóng lấp lánh bên kia đang nhảy muá
Làm sao bằng hoa muá rất hân hoan
Trong cảnh tượng vui tươi như hội ấy
Lòng nhà thơ thì chỉ biết vui lây
Tôi đã nhìn và đã nhìn chăm chú
Nhưng làm sao thấu hết vẻ đất trời
Màn diễn này cực kỳ là phong phú
Và điều này ai đã tặng cho tôi
Vì những khi nằm trên chiếc ghế dài
Trong suy tưởng hay trong cơn trống trãi
Con mắt cuả hồn tôi thường thấy lại
Những đoá thuỷ tiên rực sáng màu vàng
Đó là hạnh phúc cuả niềm cô tịch
Và trái tim lại vui sướng ngập tràn
Lại cùng với thuỷ tiên vàng nhảy muá.
( Trang Sao – Bản dịch số 2 )
Dieu Tam's space 
Tam Nguyen: Trang Sao, Tam Nguyen share bài thơ mà Trang Sao & Tam Nguyen đã phỏng dịch vào album này. Mời chị Chieu Uyen Vu, Thanh Doan, Lulu Lala … và các bạn ai đang tràn đầy thi hứng thì cùng dịch tiếp. Bài dịch của Trang Sao rất hay đó! Bravo!
Trang Sao Tâm Nguyên, Trăng Sao dzịch ẩu quá, dzịch lại cho bớt ẩu nè.
Tam Nguyen Hay lắm Trang Sao! Tam Nguyen cũng phải xem lại bài của mình, cũng ẩu nè
Tam Nguyen Tam Nguyen đưa vô bản dịch của Trang Sao thành bài 1, bài 2 nghen. Nếu có bài 3 thì làm tiếp. Album này dành chứa những bản dịch của nhóm Trang Sao & Các Bạn đó!
ps: Những bài thơ này dịch giữa lúc cơn bão Hayan đang đổ bộ vào miền Trung ngày 9/10/2013.
William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads.
Wordsworth’s magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years which he revised and expanded a number of times. It was posthumously titled and published, prior to which it was generally known as “the poem to Coleridge”. Wordsworth was Britain’s Poet Laureate from 1843 until his death in 1850.
The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in Wordsworth House in Cockermouth, Cumberland—part of the scenic region in northwest England, the Lake District. His sister, the poet and diarist Dorothy Wordsworth, to whom he was close all his life, was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest, who became a lawyer; John, born after Dorothy, who went to sea and died in 1805 when the ship of which he was Master, the Earl of Abergavenny, was wrecked off the south coast of England; and Christopher, the youngest, who entered the Church and rose to be Master of Trinity College, Cambridge.Their father was a legal representative of James Lowther, 1st Earl of Lonsdale and, through his connections, lived in a large mansion in the small town. Wordsworth, as with his siblings, had little involvement with their father, and they would be distant from him until his death in 1783.
Wordsworth’s father, although frequently away from home on business, encouraged him in his reading, and in particular set him to commit to memory large portions of poetry, including that of Milton, Shakespeare and Spenser; in addition William was allowed to use his father’s library. Along with spending time reading in Cockermouth, Wordsworth would also stay at his mother’s parents’ house in Penrith, Cumberland. At Penrith, Wordsworth was exposed to the moors. Wordsworth could not get along with his grandparents and his uncle, and his hostile interactions with them distressed him to the point of contemplating suicide.
After the death of their mother, in 1778, Wordsworth’s father sent him to Hawkshead Grammar School in Lancashire (now in Cumbria) and Dorothy to live with relatives in Yorkshire; she and Wordsworth would not meet again for another nine years. Although Hawkshead was Wordsworth’s first serious experience with education, he had been taught to read by his mother and had attended a tiny school of low quality in Cockermouth. After the Cockermouth school, he was sent to a school in Penrith for the children of upper-class families and taught by Ann Birkett, a woman who insisted on instilling in her students traditions that included pursuing both scholarly and local activities, especially the festivals around Easter, May Day, and Shrove Tuesday. Wordsworth was taught both the Bible and the Spectator, but little else. It was at the school that Wordsworth was to meet the Hutchinsons, including Mary, who would be his future wife.
Wordsworth made his debut as a writer in 1787 when he published a sonnet in The European Magazine. That same year he began attending St John’s College, Cambridge, and received his B.A. degree in 1791. He returned to Hawkshead for his first two summer holidays, and often spent later holidays on walking tours, visiting places famous for the beauty of their landscape. In 1790, he took a walking tour of Europe, during which he toured the Alps extensively, and visited nearby areas of France, Switzerland, and Italy.
In November 1791, Wordsworth visited Revolutionary France and became enthralled with the Republican movement. He fell in love with a French woman, Annette Vallon, who in 1792 gave birth to their child, Caroline. Because of lack of money and Britain’s tensions with France, he returned alone to England the next year. The circumstances of his return and his subsequent behaviour raise doubts as to his declared wish to marry Annette, but he supported her and his daughter as best he could in later life. The Reign of Terror estranged him from the Republican movement, and war between France and Britain prevented him from seeing Annette and Caroline again for several years.
With the Peace of Amiens again allowing travel to France, in 1802 Wordsworth and his sister, Dorothy, visited Annette and Caroline in Calais. The purpose of the visit was to pave the way for his forthcoming marriage to Mary Hutchinson. Afterwards he wrote the sonnet “It is a beauteous evening, calm and free” recalling a seaside walk with the 9 year old Caroline he had never seen prior to that visit. The sonnet is somewhat reserved but it is plain Wordsworth felt genuine affection for his daughter, as indeed did Mary who was anxious that Wordsworth should do more for Caroline should their circumstances improve. Her wish was granted at Caroline’s marriage in 1816, when Wordsworth settled £30 annually on Caroline, a generous allowance (£1,360 purchasing power in year 2000 pounds sterling) that continued until 1835, when it was replaced by a capital settlement.
In his “Preface to Lyrical Ballads”, which is called the “manifesto” of English Romantic criticism, Wordsworth calls his poems “experimental.” The year 1793 saw Wordsworth’s first published poetry with the collections An Evening Walk and Descriptive Sketches. He received a legacy of £900 from Raisley Calvert in 1795 so that he could pursue writing poetry. That year, he met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship. In 1797, Wordsworth and his sister Dorothy moved to Alfoxton House, Somerset, just a few miles away from Coleridge’s home in Nether Stowey. Together, Wordsworth and Coleridge (with insights from Dorothy) produced Lyrical Ballads (1798), an important work in the English Romantic movement. The volume gave neither Wordsworth’s nor Coleridge’s name as author. One of Wordsworth’s most famous poems, “Tintern Abbey”, was published in the work, along with Coleridge’s “The Rime of the Ancient Mariner”. The second edition, published in 1800, had only Wordsworth listed as the author, and included a preface to the poems, which was augmented significantly in the 1802 edition. This Preface to Lyrical Ballads is considered a central work of Romantic literary theory. In it, Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the “real language of men” and which avoids the poetic diction of much 18th-century poetry. Here, Wordsworth gives his famous definition of poetry as “the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” A fourth and final edition of Lyrical Ballads was published in 1805.
From 1795 to 1797, he wrote his only play, The Borderers, a verse tragedy set during the reign of King Henry III of England when Englishmen of the north country were in conflict with Scottish rovers. Wordsworth attempted to get the play staged in November 1797, but it was rejected by Thomas Harris, manager of Covent Garden Theatre, who proclaimed it “impossible that the play should succeed in the representation”. The rebuff was not received lightly by Wordsworth, and the play was not published until 1842, after substantial revision
Wordsworth, Dorothy and Coleridge travelled to Germany in the autumn of 1798. While Coleridge was intellectually stimulated by the trip, its main effect on Wordsworth was to produce homesickness. During the harsh winter of 1798–99, Wordsworth lived with Dorothy in Goslar, and, despite extreme stress and loneliness, he began work on an autobiographical piece later titled The Prelude. He wrote a number of famous poems, including “The Lucy poems”. He and his sister moved back to England, now to Dove Cottage in Grasmere in the Lake District, and this time with fellow poet Robert Southey nearby. Wordsworth, Coleridge and Southey came to be known as the “Lake Poets”. Through this period, many of his poems revolve around themes of death, endurance, separation and grief.
In 1802, Lowther’s heir, William Lowther, 1st Earl of Lonsdale, paid the £4,000 debt owed to Wordsworth’s father incurred through Lowther’s failure to pay his aide. It was this repayment that afforded Wordsworth the financial means to marry, and on 4 October, following his visit with Dorothy to France to arrange matters with Annette, Wordsworth married a childhood friend, Mary Hutchinson. Dorothy continued to live with the couple and grew close to Mary. The following year, Mary gave birth to the first of five children, three of whom predeceased William and Mary.
Wordsworth had for years been making plans to write a long philosophical poem in three parts, which he intended to call The Recluse. He had in 1798–99 started an autobiographical poem, which he never named but called the “poem to Coleridge”, which would serve as an appendix to The Recluse. In 1804, he began expanding this autobiographical work, having decided to make it a prologue rather than an appendix to the larger work he planned. By 1805, he had completed it, but refused to publish such a personal work until he had completed the whole of The Recluse. The death of his brother John, in 1805, affected him strongly.
The source of Wordsworth’s philosophical allegiances as articulated in The Prelude and in such shorter works as “Lines written a few miles above Tintern Abbey” has been the source of much critical debate. While it had long been supposed that Wordsworth relied chiefly on Coleridge for philosophical guidance, more recent scholarship has suggested that Wordsworth’s ideas may have been formed years before he and Coleridge became friends in the mid-1790s. While in Revolutionary Paris in 1792, the 22-year-old Wordsworth made the acquaintance of the mysterious traveller John “Walking” Stewart (1747–1822),[14] who was nearing the end of a thirty-years’ peregrination from Madras, India, through Persia and Arabia, across Africa and all of Europe, and up through the fledgling United States. By the time of their association, Stewart had published an ambitious work of original materialist philosophy entitled The Apocalypse of Nature (London, 1791), to which many of Wordsworth’s philosophical sentiments are likely indebted.
In 1807, his Poems in Two Volumes was published, including “Ode: Intimations of Immortality from Recollections of Early Childhood”. Up to this point Wordsworth was known publicly only for Lyrical Ballads, and he hoped this collection would cement his reputation. Its reception was lukewarm, however. For a time (starting in 1810), Wordsworth and Coleridge were estranged over the latter’s opium addiction. Two of his children, Thomas and Catherine, died in 1812. The following year, he received an appointment as Distributor of Stamps for Westmorland, and the £400 per year income from the post made him financially secure. His family, including Dorothy, moved to Rydal Mount, Ambleside (between Grasmere and Rydal Water) in 1813, where he spent the rest of his life
In 1814, he published The Excursion as the second part of the three-part The Recluse. He had not completed the first and third parts, and never would. He did, however, write a poetic Prospectus to “The Recluse” in which he lays out the structure and intent of the poem. The Prospectus contains some of Wordsworth’s most famous lines on the relation between the human mind and nature:
My voice proclaims
How exquisitely the individual Mind
(And the progressive powers perhaps no less
Of the whole species) to the external World
Is fitted:—and how exquisitely, too,
Theme this but little heard of among Men,
The external World is fitted to the Mind.
Some modern critics[who?] recognise a decline in his works beginning around the mid-1810s. But this decline was perhaps more a change in his lifestyle and beliefs, since most of the issues that characterise his early poetry (loss, death, endurance, separation and abandonment) were resolved in his writings. But, by 1820, he enjoyed the success accompanying a reversal in the contemporary critical opinion of his earlier works. Following the death of his friend the painter William Green in 1823, Wordsworth mended relations with Coleridge. The two were fully reconciled by 1828, when they toured the Rhineland together. Dorothy suffered from a severe illness in 1829 that rendered her an invalid for the remainder of her life. In 1835, Wordsworth gave Annette and Caroline the money they needed for support.
Wordsworth received an honorary Doctor of Civil Law degree in 1838 from Durham University, and the same honour from Oxford University the next year. In 1842, the government awarded him a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. He initially refused the honour, saying he was too old, but accepted when Prime Minister Robert Peel assured him “you shall have nothing required of you”. He became the only laureate to write no official poetry. When his daughter, Dora, died in 1847, his production of poetry came to a standstill.
William Wordsworth died by aggravating a case of pleurisy on 23 April 1850, and was buried at St. Oswald’s church in Grasmere. His widow Mary published his lengthy autobiographical “poem to Coleridge” as The Prelude several months after his death. Though this failed to arouse great interest in 1850, it has since come to be recognised as his masterpiece.
More at http://en.wikipedia.org/wiki/William_Wordsworth